Void armchair
Lex Pott
A compact and conscious, yet highly comfortable curved design, made of recycled and high quality materials.
Shell available in 3 colours, legs in natural oak or black powdercoated steel.
Production
Plastic waste is collected and classified, sorted and tested. The molten recycled plastic is injected into a mould to form the shell (injection moulding technique).
Quality marks
Made of pure materials in combination with 100% recycled polypropylene (PP). In compliance with REACH, SVHC standard and Global Recycled Standard..
Materials
The shell is made of 90% recycled polypropylene with 10% added glassfiber for extra reinforcement and durability. Natural oak base or black powdercoated steel legs, both versions with PVC glides.
Origin
Asia / China
Product information
The Void armchair is a conscious and compact design that takes up little space. Its name has not been chosen without reason: it can slide under any table and will leave room for things that really matter, such as spacious living.
Skilled for urban areas where square metres are valuable and limited. Despite its compact design, the chair offers both a generous, comfortable seat and support for the arms as well. The curved lines of the recycled plastic shell, supported by the legs in durable materials both add to the simple aesthetics of the Void armchair. A future-forward reinterpretation of the iconic shell chair.
Sustainable, conscious use of materials
Reducing plastic waste by using 100% recycled polypropylene for the shell. Non-excessive use of raw materials for the base.
A chair designed for all
The Void is available in several shell colours and bases, to fit all plans and spaces.
Compact and iconic design
Lex Pott’s thorough design study in search of the perfect shell led to the simple aesthetics of the Void armchair.
Recycled shell, available in three colours
The Void armchair takes up little space
Highly comfortable curved design
Specifications
Meet the designer
Lex Pott
Lex’s method is raw and intuitive. He doesn’t try to disguise his ideas behind cosmetic layers. Instead, he trusts in his materials - wood, stone and metal - to reduce things to their essence.
